Live Art Development Agency

Live Art Development Agency, also commonly known by its acronym LADA, is a publicly funded arts organisation and registered charity founded in London in 1999 by Lois Keidan, who is currently its Director, and Catherine Ugwu.[1] LADA provides professional advice for live artists and promoters as well as producing events and publications intended to enhance the understanding of and access to Live Art. They are one of Arts Council England's National Portfolio Organisations.[2]

Activities

LADA is responsible for funding and co-ordinating Live Art UK, a network for bringing together key promoters and facilitators to support and develop the Live Art infrastructure for the benefit of artists and audiences.

LADA operates the Study Room, a free, open access research facility used by artists, students, curators, academics and other arts professionals. The Study Room is in Hackney Wick, London, and houses a comprehensive collection of publications ranging from theoretical texts to DVDs, videos, CDs and digital files of performance documents and documentation. There is an online catalogue of over 5,000 items accessible in LADA's Study Room. This resource facility was described by The Independent as one of the UK's 50 best museums and galleries.[3]

Projects and initiatives

LADA produced a number of projects to help develop the visibility of, and opportunities for, disabled artists within the Live Art sector (2009-2012).[4][5]

In 2003 LADA produced the Live Culture event at Tate Modern which included performances from Franko B, Forced Entertainment and a lecture by Marina Abramović.[6]

Publications

LADA has published a number of titles relating to Live Art, most notably co-publishing Out of Now: The Lifeworks of Tehching Hsieh edited by Adrian Heathfield with the MIT Press,[7] and Perform Repeat Record edited by Adrian Heathfield and Amelia Jones with Intellect.[8]

Patrons

LADA has a board of patrons composed of seven established artists deemed to be working within the realms of Live Art.

Key reading

References

  1. Keidan, Lois; Brine, Daniel (2005). "Live Art in London". PAJ: A Journal of Performance and Art. 27 (3): 74–82. doi:10.1162/pajj.2005.27.3.74.
  2. "The 50 best museums & galleries". The Independent. Retrieved 2016-11-12.
  3. Araniello, Katherine (29 May 2012). "Disability arts: why difference is what makes cutting-edge art". The Guardian.
  4. Gardner, Lyn (7 March 2011). "Access All Areas: putting disability centre stage". The Guardian.
  5. "Marina Abramovic: Live Culture Talk". Tate. 2003-03-29. Retrieved 2016-11-12.
  6. "The MIT Press". Mitpress.mit.edu. Retrieved 2016-11-12.
  7. "Intellect Ltd". Intellectbooks.co.uk. Retrieved 2016-11-12.

External links


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